This post is inspired by Mary Ruefle’s poem ‘After a Rain’ (Selected Poems, Wave Books, 2010), in which she explores being ‘a noticing kind of person‘.
Like the arctic tern in the photo above, many of Ruefle’s examples of noticing are grounded in observation. Here is one of them:
………, I noticed an infant will grip your hand like
there is no tomorrow while the very aged
will give you a weightless grip for the same reason,
And here is a recent observation of mine, not so beautifully condensed as Ruefle’s.
I noticed that the heron on the other side of the canal did not flap away in the usual indignation as I passed by with the dogs.
On my return I checked and saw it in the same intent position. Moving on, a sharp splash made me look again, to see the heron backing away from the water’s edge, a flash of silver in its beak, and then its thin neck bulging as it swallowed. I have passed countless solitary herons staring into the water, but this is the first time I’ve seen one get its reward.
In this kind of noticing we rely on our senses – sight, of course in my case, but also hearing, and touch in Ruefle’s consideration of the grip of a hand. Perhaps you can think of when smell or taste have been part of something you’ve noticed?
Ruefle also makes use of another type of noticing in her poem. Here is an example:
……… and I noticed the road followed roughly
the route of a zipper around a closed case,
Here, you may say she is drawing on sight, but this is imaginary vision, a noticing that draws on her language knowledge to make new connections between things. She also mixes the two kinds of noticing together – as in the first example ‘I noticed an infant will grip your hand like there is no tomorrow‘. This kind of noticing is a primary staple of poems, of course, and is also part of the work of visual artists, using the power of image rather than words. Louise Bourgeois’ work immediately sprang into my mind as I was thinking about this kind of noticing:
This kind of noticing is a creative process of course, and so here I am, thinking about creativity again, which wasn’t my initial intention in this post! As such it needs a great deal more practice than those based on observation only, at least to make connections that open up the eyes and minds of the rest of us. Here is another sculpture example, this time from Kiki Smith:
My journals are jampacked with small incidents I have noticed. They are there for me to remember and rejoice over, but these quickly written notebooks are not the place for this second kind of noticing, such as the kind of connections Mary Ruefle shares with us in her poems. This kind of noticing makes me go ‘oh yes!’ as the image she has summoned up in words enters my mind, and I begin to savour the rich meanings invoked.
Honing our senses to notice what is going on around us is though, something we can all make more space for in our daily lives, and prepares the ground for the second kind.